- Ori — she/herIRL : Kwon Minsik (Sik-K) & OriAvatar, Crédits : 1722Messages : 10RPs : 666Gallions :
- TW:
- past tw// — mort, deuil, sang, maltraitances infantiles, violence, harcèlement
present tw// thèmes récurrents — sang, violence physique et verbale, accès de colère, PTSD (maltraitances infantiles)
Occupation :「 FIREWIZARD 」
après 6 ans de médicomagie, et avoir bossé aux urgences, akira décide de changer de cap et rejoint la caserne de fuji.
「 TEMPLE D'IZANAMI 」
combattant des bas-fonds, accro à l'adrénaline. besoin d'évacuer la violence qui consume ses veines. appartient aux abysses et aux vices.「 HENSOKU ONI & THÉRIANTHROPE 」
anger empowerment
(énergisation par la colère)
« capacité de gagner de la force grâce à la colère. transformation de la colère en une forme d'énergie. le sujet N°127 devient plus fort, plus endurant lorsqu'il est excessivement énervé. »
misfortune spreader
(porteur de malheur)
« le sujet est un porte-malheur vivant, provoquant des accidents, des ennuis ou d'autres malchances autour de lui. d'ampleur variable, les incidents sont souvent mineurs. »
demonic guy
(transformation en oni)
« après analyses sanguines, il est mis en évidence que les métamorphoses intempestives du sujet N°127 sont dues à un cas de thérianthropie. il est intéressant de remarquer que seuls les attributs physiques propres au yokaï oni se manifestent chez le sujet. »
Particularité(s) :| I'LL RISK IT ALL FOR YOU(( don't leave me ))SEIYA // best friend
PANDORE // best friend
REMI // evil twin
| I DON'T WANNA HURT YOU(( hold with caution ))HIMARI // favorite victim
ANDREA // homie, roommate
EVIE // homie
OSAMU // homie
ROSE // homie
MARLON // homie
| THRILL ME, CHILL ME, FULFILL ME(( love, lust, passion ))SOMI // reckless love (ex)
| NOT MY PROBLEM(( aren't we all sinners ? ))SAWAKO // former-victim
BERLIOZ // research partner, rival
MARIE-CLÉMENCE // à venir
| DAMN RIGHT YOU SHOULD BE SCARED OF ME(( you can call me monster ))ATLAS // cursed children
CHARON // vipère au poing, traqueur
KELL // wanna punch your faceRelations :|RPs
14.10.21 PREPARE FOR TROUBLE Rose
28.01.22 NEW PLAN : FUCK IT Kenzo
xx.02.22 TITRE Nanashi
19.02.22 TITRE Pandore
xx.xx.22 TITRE Remi
xx.xx.22 TITRE Andrea
Plume à Papote :— sorcier ❝ Hellboy - i'm still ANGRY
IRL : Ori — she/her
Avatar, Crédits : Kwon Minsik (Sik-K) & Ori
Messages : 1722
RPs : 10
Gallions : 666
Disclaimer :- TW:
- past tw// — mort, deuil, sang, maltraitances infantiles, violence, harcèlement
present tw// thèmes récurrents — sang, violence physique et verbale, accès de colère, PTSD (maltraitances infantiles)
Multicomptes : tom nook
Naissance & Âge : 151195 — 26 yo.
Pronom(s) du personnage : ∙ il
Couleur de dialogue : #CD1B27
Occupation :
「 FIREWIZARD 」
après 6 ans de médicomagie, et avoir bossé aux urgences, akira décide de changer de cap et rejoint la caserne de fuji.
「 TEMPLE D'IZANAMI 」
combattant des bas-fonds, accro à l'adrénaline. besoin d'évacuer la violence qui consume ses veines. appartient aux abysses et aux vices.
Particularité(s) :「 HENSOKU ONI & THÉRIANTHROPE 」
anger empowerment
(énergisation par la colère)
« capacité de gagner de la force grâce à la colère. transformation de la colère en une forme d'énergie. le sujet N°127 devient plus fort, plus endurant lorsqu'il est excessivement énervé. »
misfortune spreader
(porteur de malheur)
« le sujet est un porte-malheur vivant, provoquant des accidents, des ennuis ou d'autres malchances autour de lui. d'ampleur variable, les incidents sont souvent mineurs. »
demonic guy
(transformation en oni)
« après analyses sanguines, il est mis en évidence que les métamorphoses intempestives du sujet N°127 sont dues à un cas de thérianthropie. il est intéressant de remarquer que seuls les attributs physiques propres au yokaï oni se manifestent chez le sujet. »
Relations :| I'LL RISK IT ALL FOR YOU(( don't leave me ))SEIYA // best friend
PANDORE // best friend
REMI // evil twin
| I DON'T WANNA HURT YOU(( hold with caution ))HIMARI // favorite victim
ANDREA // homie, roommate
EVIE // homie
OSAMU // homie
ROSE // homie
MARLON // homie
| THRILL ME, CHILL ME, FULFILL ME(( love, lust, passion ))SOMI // reckless love (ex)
| NOT MY PROBLEM(( aren't we all sinners ? ))SAWAKO // former-victim
BERLIOZ // research partner, rival
MARIE-CLÉMENCE // à venir
| DAMN RIGHT YOU SHOULD BE SCARED OF ME(( you can call me monster ))ATLAS // cursed children
CHARON // vipère au poing, traqueur
KELL // wanna punch your face
Plume à Papote :|RPs
14.10.21 PREPARE FOR TROUBLE Rose
28.01.22 NEW PLAN : FUCK IT Kenzo
xx.02.22 TITRE Nanashi
19.02.22 TITRE Pandore
xx.xx.22 TITRE Remi
xx.xx.22 TITRE Andrea
Chicken on the way.
I step in the snow. Some barely audible crunch in the silence of Fuji. Freakin' love night-time. My sneakers sink in the snow-covered ground, while all the city sounds disappear in it. Fuck it's cold. I look up and glance at the stars - it's like if they were falling by hundred, in icy flakes. But – they're cold. Standing still for a moment, letting the snow melt on my always-burning face. ...Until the grunting of my stomach brings me back to earth. Yeah right. Chicken.
Half past ten. It's not the first time I go out so late to buy food ; I'm used to culinar-improvisation, true to instant noodles and bentos from fresh section. No timetable, no well-defined rhythm, no schedule ever. Except this time, the order is shared - again. A chicken delivery - again. To satisfy my oger-like appetite - again. To Himari's flat. ...Again. Not quite a routine, 'cause it's only the second or third time I'm coming to her place. Gotta admit I easily take a liking to these meals - this (re)comfort-feeling I find in her tiny flat. Her increasingly familiar presence, which comes along more and more in my days. Blends in with my habits, somehow. Anyway. All started from some casual conversation, before we shifted to her late dinner... And above all she mentionned a cake in the making. That's all it took me to take the bait and imply I need to see that - taste it, more like. Because that's the whole point of a cake, right : to be eaten. And there's no one more qualified as I am in this domain.
Evasive concentration, wavering because of my appetite going stronger ; easier to imagine an all ready-made meal than a supermarket, when I'm that hungry. Can't wait to finish the shopping part, as fast as I can so we can move on to eating. So I prepare to apparate by visualising my path, from the market to Himari's place.
Wiz'Market. Why do I always appear in the worst standing ? When I land and skid a bit, I get my feet stuck in a pole, which had obviously nothing to do there. There's no one to witness the missed-stumble, and I waste no more time in sliding into the shop before someone noticed. I know my way around like the back of my hand, so much so that my legs guide me through the aisles without having to think about it. Soon enough, the chicken package is in my hands in record time. I pay without exchanging anything more than a mumbled 'evening' to the cashier, and get out of the crappy neons light just as quickly.
Two minutes at most, and the race contin- uh ? Clutching my chicken and the package under my arms, my feet all ready to take off in the tumult of teleportation. But my eyes linger toward the floor, where an ugly stem is hanging out. The thing looks like parsley, or something like that. Except that there's a big leaf hanging off the end. It looks a bit like all the mess Himari accumulates on her shelves - at first I thought it was herbs for food, like onions and stuff. But when I tried to cut off a piece of it, she stepped in before I could do anything else ; a story about a sprout she wanted to save. Whatever, it wasn't for eating. It was more for decoration, or botany - something like that I suppose.
That's a fuckin' long time for a staring contest with an invertebrate plant-like bullshit, still. I'm about to step on it to gain momentum - but I stop in the motion and let out some heavy sigh. Bend down to grab the stem, which I shove bluntly into my pocket – who cares if it dies on the way. Who does that, anyway. Picking up shits on the ground. Nah, but as long as it's one of those plants that - that grows. Whatever. Worth a shot. I tighten up my grip on each bag under my crowded arms, and focus on my destination. Focus focus focus. The genkan. The genkan. The genkan...
… and get swallowed up by the vortex of magic.
It only takes a few seconds before I see the outline of the flat appear. Finally my body relaxes and abruptly finds the floor of the genkan, visualised just before. Fuckin' convenient, to be able to walk straight in - since Himari passed my magic mark as a guest. Don't know if I'd have done that if I was her. I mean, to me or anyone else. Like, the risk of someone barging in unannounced... I've got enough of Drea not respecting the bathroom lockets. Wonder if she does this often, giving access to her flat like this. Somehow, I feel like she also wanted to allow me a place to crash in case of emergency. Since last time, back in November.
I take off my sneakers with the help of one foot on my heels.
I catch a glimpse of the screen - isn't that her weirdo of a friend ? Kikuchi. Yes, it is. Wow I don't give a damn. I step back and let her do her video. I don't want to join in with their silly call. On the other hand, I'm still hella hungry... With an insistent nod, I tell her to drop the thing – at worst she'll call back, that's fine. But Himari makes me understand that I'll have to wait. Oh yeah ? I'm not good at it, it's a shame. I don't need the oni to raise my devil horns when I've decided to play dirty. If she won't hang up, then I'll make her. Somehow. I've been playing on her nerves for two years, shouldn't be too hard.
Backtracking. I go back to the genkan to get my bags and put my coat down. I take the opportunity to grab the little half-broken stem from my pocket - it's a pain to see I suppose, but at the same time it's a plant, I don't care. Back in the main room, I put the whole thing on the table, under Himari's eyes. She shuttles back and forth between her call and my hustle, while I fuss in front of her to get a glass from her cupboard and fill it with water - maybe a bit too much, as it overflows. When I bring it back to the kotatsu, I purposely put it down right in front of her, even if it's a bit of a mess, and stick the stem in the water. It falls. It's dead for sure this time. But Himari will find something to do with it, huh. I look up at her, and point firmly at the crappy shoot. This. See ? Well here you go. It's all about the eyebrows rise and frown.
But she doesn't seem too interested. She remains focused enough on her phone screen and Kikuchi's insistent voice. Sigh of annoyance. In front of the kotatsu, prominently displayed in front of her, I start to take off my sweater. Taking my time on purpose - and not rearranging my t-shirt, as it slips off along with the hoodie, revealing my chest, that she stitched herself a month ago – scars still visible.
Standing next to her, I lean over the kotatsu table, elbow on the surface for support. I approach so that I'm leaning over the phone, not entering the camera's field - but it's Himari I'm looking at. First to check through her face if it's working. If she's losing focus. Then, to confuse her by staring. Like all those times when she prefers to look away. But this time, without being able to escape - to leave, to ignore me. Other than looking at her screen. But I don't move. I wait.
I raise my eyebrows in anticipation of what's to come, but she immediately becomes agitated in a different way, and with a gesture pushes me and the bags on the table aside. What the -
One second. Two seconds. Three seconds.
She joins me above her tiny kitchen - tiny like her, and grabs the cooking utensils while I'm dripping my hands in the sink. It's a change from cooking with Andrea, where we - open the microwave or... use the rice-cooker... or just drink. The proximity is not awkward. But I prefer to stand back and let her do it. So as not to encumber her in this small space. I take the opportunity to pick up my sweater from the floor and put it in the most comfortable place - the one I've assigned to myself. Under the jumper, I find the cardboard bag, and it hits me back.
More than on Himari, who discovers a moonlight stone inside. Wrapped in a velvet cloth, the moon fragment reveals a soft glow. Its touch is rough, dotted with small craters. A fine powder, like the one on butterfly wings, emanates from it in places. The smell is like chalk, and the sphere is disturbingly light.
Whatever. I sigh wearily as I stare at the meal, which looks ready to be served.
skate vibe, mk.
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